Reflecting on 2020 and redefining inclusion for all Texthelp
VISO TeacherView: Consolidate Your Remote Classroom Management Technology
Building excitement – What schools can gain from a visit to LEGOLAND Windsor Resort LEGOLAND Windsor Resort
Say hello to Rayburn’s new portfolio of UK school trips – Educational experiences right here on your doorstep! Rayburn Tours
Pearson Edexcel GCSE (9–1) Mathematics Second Edition Pearson UK
Oxford University Press Courses
Command the front of the class and make your presence felt with these tried and trusted communication techniques from the theatre world…
Reflecting on 2020 and redefining inclusion for all
Tips for Great Persuasive Writing – Display sheet for KS3 and KS4 English
The impact of blended learning on schools’ daily routines
‘Square numbers’ KS4 maths lesson plan and task sheet
Warming up the voice and throat is as important for teachers as it is for actors. Teachers often find that they lose their voice by the end of term, so make vocal warm-ups part of your regular lesson preparation.
These can include humming, taking deep breaths and performing ‘noisy yawns’ – the latter will help stretch the vocal muscles and energise your body through the stretching and pulling of faces. If you can arrive at your lessons feeling energised and alert, your increased presence will immediately energise your audience.
Our voices are created by our bodies, so the more our bodies can do to reflect and support our voices, the more effective those voices will be. When greeting your students, adopting a stance in which your chest and arms are open makes it more likely that your voice will follow through and sound more welcoming.
Adopt a stiff and still body posture in a closed stance, and your voice will soon be struggling to get out. Stamping your feet on the ground can also have the effect of making you feel more grounded and confident. If you feel tension growing within you during the day, take a moment during break to reset your body by shaking or stamping this tension out.
Your students will similarly benefit from brief bursts of physical activity. Spending an extended amount of time slumped in the same position at a desk can leave the muscles feeling heavy, but you can alleviate this by changing the energy in the room.
Ask the students to stand up, stretch and look at things from a different perspective by temporarily moving to a different position within the classroom. Break up the day with short concentration games to help reset the mind – for example, asking students to collaborate in counting alternately from one to 40, replacing certain numbers or multiples with words (buzz) and actions (reverse direction).
Theatre rehearsal rooms are considered to be safe spaces where everyone is invited to try out new ideas, be creative and make mistakes. Teachers can nurture similar environments of their own by encouraging students to boldly experiment and have the confidence to try out new ideas. Instead of shutting down wrong answers straight away, offer positive responses (‘Yes, and…’; ‘I can see how you reached that answer, but…’) and invite students to explain their reasoning.
Use a variety of ways to bring information to life and build new perspectives. Adding an element of surprise to each lesson will keep them memorable, and cement the expectation that no two lessons will follow the same format.
In a geography lesson, for example, you could ask your students to write a poem or rap about a new topic to activate different parts of the brain. Invite students to start a lesson themselves and assign the role of the teacher to them for a brief period. Instead of opening lessons with statements, try opening with questions of ‘what?’, ‘why’, and ‘how’ – invite your students to be inquisitive from the off.
Don’t forget that your own learning and development needs as a teacher should to be tended to as well. Many local arts organisations have learning departments and offer teacher training programmes and opportunities for schools.
The National Theatre’s learning programmes, for instance, are specifically designed for schools; state schools also have free access to an extensive digital library of recorded world-class theatrical productions via the NT Collection. The NT’s virtual Drama Teacher Conference can meanwhile offer drama teachers the opportunity to experiment with new teaching approaches with the help and support of artists across the theatre industry.
Sheila Chawla manages the National Theatre’s TheatreWorks programme, which delivers professional and personal development training inspired by the performing arts.
The NT makes theatre for everyone, staging productions in London, on tour nationwide and worldwide and via digital broadcasts, while supporting creative education through nationwide learning programmes; to find out more, visit nationaltheatre.org.uk/learning or follow @NT_Schools
In partnership with
Make sure your assessment is effective with these expert insights.
Teachwire
by Patrick McGrath, Education Technology Strategist, Texthelp
As we leave behind a year that redefined the...
Arts On The Move believes that creativity is what gives society its heart. Everyone has some creativity within them and the joy of exploring and discovering can be unparalleled. At the...
Arts On The Move believes that creativity is what gives society its heart. Everyone has some creativity within them and the joy of exploring and discovering can be unparalleled.
At the...
In his book Reading Reconsidered, Doug Lemov says that children should have access to five types of text in order to read with confidence. These are complex beyond a lexical...
In his book Reading Reconsidered, Doug Lemov says that children should have access to five types of text in order to read with confidence.
These are complex beyond a lexical...
Use these frog and tadpole themed rhythm cards to teach pupils about crotchet rests, crotchets and quavers. The number of syllables in the words ‘frog’ and ‘tadpole’ will help pupils to remember the...
Use these frog and tadpole themed rhythm cards to teach pupils about crotchet rests, crotchets and quavers.
The number of syllables in the words ‘frog’ and ‘tadpole’ will help pupils to remember the...
Gordon Cairns finds out how blended learning requires not just the right technology, but a...
We might feel we know our way around a Zoom call, but when it comes...
Phil Beadle unpacks a borrowed educational rallying cry that has come to signify something rather...
Teach Year 3-6 children all about Ancient Greek Gods, heroes, monsters and more with these...